![]() ![]() More isn’t just better with Fallen, it’s everything, the guiding principle that crushes underfoot any other concerns, be they narrative, aesthetic, or performance-based. So noxious is his follow-up that its disposable kids-toy origins-the opening “In Association with Hasbro” credit summing up summer cinema’s infantilism-isn’t nearly as rank as the action at large, an incoherent mishmash of tough-guy film tropes Bay uses to overpower the 70-foot-tall IMAX screens that the film’s centerpiece sequences have been custom-retrofitted to fill out. ![]() No giant robots urinate on humans in Transformers: Revenge of the Fallen, but that’s only because they now prefer to douse hot-to-trot individuals with gooey ejaculate, one of the many ways that Michael Bay’s concussive sequel proves fouler than its 2007 predecessor.
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